| Introduction |
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1 | (6) |
| I: Getting Started |
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What Are Archetypes, and Why Should Writers Use Them? |
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7 | (7) |
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How to Use the Archetypes |
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14 | (7) |
| II: Creating Female Heroes and Villains |
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Aphrodite: The Seductive Muse and the Femme Fatale |
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21 | (11) |
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Artemis: The Amazon and the Gorgon |
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32 | (9) |
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Athena: The Father's Daughter and the Backstabber |
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41 | (9) |
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Demeter: The Nurturer and the Overcontrolling Mother |
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50 | (9) |
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Hera: The Matriarch and the Scorned Woman |
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59 | (8) |
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Hestia: The Mystic and the Betrayer |
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67 | (8) |
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Isis: The Female Messiah and the Destroyer |
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75 | (8) |
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Persephone: The Maiden and the Troubled Teen |
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83 | (12) |
| II: Creating Male Heroes and Villains |
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Apollo: The Businessman and the Traitor |
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95 | (10) |
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Ares: The Protector and the Gladiator |
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105 | (8) |
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Hades: The Recluse and the Warlock |
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113 | (9) |
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Hermes: The Fool and the Derelict |
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122 | (8) |
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Dionysus: The Woman's Man and the Seducer |
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130 | (9) |
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Osiris: The Male Messiah and the Punisher |
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139 | (8) |
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Poseidon: The Artist and the Abuser |
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147 | (9) |
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Zeus: The King and the Dictator |
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156 | (11) |
| IV: Creating Supporting Characters |
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Introduction to Supporting Characters |
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167 | (2) |
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169 | (8) |
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177 | (9) |
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186 | (5) |
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| V: The Feminine and Masculine Journeys |
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Introduction to Archetypal Journeys |
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191 | (8) |
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Plotting the Feminine Journey |
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199 | (44) |
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Plotting the Masculine Journey |
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243 | (44) |
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| Appendix |
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The Feminine Journey Worksheet |
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279 | (3) |
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The Masculine Journey Worksheet |
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282 | (3) |
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285 | (1) |
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Societal/Gender Differences |
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286 | (1) |
| Index |
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287 | |