After Confession Poetry as Autobiography

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Format: Paperback
Pub. Date: 2001-09-01
Publisher(s): Graywolf Press
List Price: $19.20

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Summary

In an age of memoir, the distinction between fiction and nonfiction has become increasingly blurred, sparking controversy among writers and readers alike. But what about the autobiographical impulse in poetry? In this groundbreaking collection, some of our best contemporary poets contemplate the legacy of the confessional poets such as Plath, Sexton, and Lowell. They also tackle such fiery topics as the nature of authorial responsibility in telling the truth, the focus on issues of self in relation to others and to the natural world, the very essence of craft as transformation, and the role female poets have played in breaking the code of silence. Rich in opinion and theory, After Confession offers the first thorough discussion on the lyric "I"--the boundaries between literal and emotional truth, memory and imagination, person and persona, narcissism and revelation. Contributors: Joan Aleshire Frank Bidart Kimberly Blaeser Joseph Bruchac Marilyn Chin Billy Collins Stephen Dunn Annie Finch Carol Frost Brendan Galvin Pamela Gemin Louise Gluck David Graham Kimiko Hahn Judith Harris Andrew Hudgins Colette Inez Yusef Komunyakaa Ted Kooser Sydney Lea William Matthews Thylias Moss Carol Muske-Dukes Sharon Olds Alicia Ostriker Stanley Plumly Claudia Rankine Adrienne Rich Kate Sontag Alan Williamson

Author Biography

David Graham is the poetry editor of Blue Moon Review. He is the author of six collections of poetry, including Stutter Monk, and is a professor of English at Ripon College.

Kate Sontag teaches in the English Department at the University of Wisconsin, Oshkosh. Her poetry has appeared in many journals and anthologies. She lives in Ripon, Wisconsin.

Table of Contents

Take the I Out
1(2)
Sharon Olds
Introduction Containing Multitudes
3(8)
David Graham
Kate Sontag
I Staying News: Critical & Historical Perspective
Personal and Impersonal
11(3)
William Matthews
Staying News: A Defense of the Lyric
14(24)
Joan Aleshire
Making a Case; or, ``Where Are You Coming From?''
38(13)
Sydney Lea
Stories about the Self (I & II)
51(20)
Alan Williamson
The Self within the Circle
71(10)
Joseph Bruchac
My Grandfather's Tackle Box: The Limitations of Memory-Driven Poetry
81(14)
Billy Collins
II Our Better Halves: Autobiographical Musings
Voluminous Underwear; or, Why I Write Self-Portraits
95(9)
David Graham
Autobiography and Archetype
104(10)
Stanley Plumly
Family Talk: Confessional Poet? Not Me
114(13)
Colette Inez
My Better Half
127(2)
Thylias Moss
Borges and I
129(3)
Frank Bidart
The First Person in the Twenty-First Century
132(5)
Claudia Rankine
Coherent Decentering: Toward a New Model of the Poetic Self
137(7)
Annie Finch
The Autobiographical ``I'': An Archive of Metaphor, Imagery, and Innuendo
144(7)
Yusef Komunyakaa
III Degrees of Fidelity: Ethical & Aesthetic Considerations
Mother, May I?: Writing with Love
151(7)
Kate Sontag
Lying for the Sake of Making Poems
158(4)
Ted Kooser
Self-Pity
162(14)
Carol Frost
Degrees of Fidelity
176(6)
Stephen Dunn
The Glass Anvil: ``The Lies of an Autobiographer''
182(15)
Andrew Hudgins
The Contemporary Poet and the Natural World
197(17)
Brendan Galvin
Blunt Instrument: A Zuihitsu
214(19)
Kimiko Hahn
IV Codes of Silence: Women & Autobiography
Bless Me, Sisters
233(11)
Pamela Gemin
The Forbidden
244(10)
Louise Gluck
Breaking the Code of Silence: Ideology and Women's Confessional Poetry
254(15)
Judith Harris
The Voices We Carry
269(12)
Kimberly Blaeser
Women and Poetry: Some Notes
281(24)
Carol Muske-Dukes
Translating Self: Stealing from Wang Wei, Kowtowing to Hughes, Hooking Up with Keats, Undone by Donne
305(12)
Marilyn Chin
Beyond Confession: The Poetics of Postmodern Witness
317(16)
Alicia Ostriker
In Those Years
333
Adrienne Rich

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