Summary
For years, K-12 teachers have been relying on the invaluable tools and blueprints in Building Dancesand Building More Dancesto help their students put movements together. Now, with Building Dances, Second Edition, the original text has been significantly expanded and updated to give you even more tools to guide your students as they experiment with the creative processeven if you've never taught or choreographed dance.Like the earlier books, this guide puts you in the role of facilitator rather than demonstrator. Using the dance construction models provided, you'll explain the material, teach the necessary skills, direct the action, and assess the outcomes . . . letting your students focus on the creative work.Building Dances, Second Edition, follows the same winning approach that made the first edition so popular. It takes you step by step through the choreographic process, with sample lesson plans, warm-up ideas, and seven easy steps to follow when building a dance, plus even more great material:A convenient, expanded, ready-to-use deck of Deal-A-Dance cards Updated dance-building activities, called Dance Construction Models, reformatted and expanded to include loads of new information and six new activities An expanded glossary explaining important dance terms in everyday language New forms and checklists to make the assessment process easier for you and your studentsThis edition contains a total of 15 Dance Construction Models, including 6 never before published. Each construction model provides concrete ideas to help students shape dance movements, perhaps to create a scene, communicate a story, foster an idea, or interpret a piece of music. And now the Dance Construction Models have been redesigned to make them even easier to use! Each one includes a description of the activity or procedure, an example, cross-references to the national standards for dance and for physical education, easy adaptations for three different grade levels (grades K-4, 5-8, and 9-12), and criteria for student assessments. You'll find four types of sample rubrics for each one, with specific criteria for movement skills, cognitive skills, choreographic and creative process, and social and aesthetic skills.The unique Deal-a-Dance cardsone of the most popular Dance Construction Modelshave also been expanded and reformatted to get students even more involved in creating and assessing their own work. The cards provide more than 230 movement ideas to get the creative juices flowing. Each card presents a definition of a selected movement term, a description of that movement, multiple suggestions for students to try, challenges that encourage them to put movements together to form phrases and dances, and a self-evaluation question. The cards are excellent hands-on tools that allow students to work at their own pace, either individually or in small groups. You can use them for a single lesson, a unit, or an entire semester of work.This edition also contains new ideas to help you connect dance to other disciplines and increase students'engagement, plus new criteria for writing rubrics and suggestions on how to expand simple dances into whole productions for PTA and other student performance settings.Whether you're a physical education teacher, drama coach, music teacher, dance teacher, classroom teacher, or recreation specialist, this book will help you stimulate your students'imaginations. Use it alone or together with the companion resource, Building More Dances, to help your students experience the joy of building their own dances.
Table of Contents
| Preface |
|
v | |
| Acknowledgments |
|
vii | |
| Blueprints for Building a Dance: How to Use This Book |
|
ix | |
|
Laying a Foundation: Basic Building Blocks |
|
|
1 | (12) |
|
|
|
2 | (1) |
|
Relationship Between Creativity and Choreography |
|
|
2 | (2) |
|
|
|
4 | (2) |
|
|
|
6 | (1) |
|
Three Sample Lesson Plans |
|
|
6 | (5) |
|
|
|
11 | (1) |
|
|
|
12 | (1) |
|
Identifying Building Supplies: Basic Materials for Building Dances |
|
|
13 | (16) |
|
|
|
14 | (2) |
|
|
|
16 | (1) |
|
Celebrating Cultural Diversity |
|
|
16 | (1) |
|
Historical and Social Perspectives |
|
|
17 | (2) |
|
Who, What, Where, and When of Music |
|
|
19 | (1) |
|
|
|
20 | (8) |
|
|
|
28 | (1) |
|
Constructing the Frame and Roof: Meaningful Organization of Materials |
|
|
29 | (10) |
|
Structure and Choreographic Forms |
|
|
30 | (3) |
|
Characterization and Story Line |
|
|
33 | (1) |
|
|
|
34 | (1) |
|
|
|
35 | (2) |
|
|
|
37 | (1) |
|
|
|
37 | (1) |
|
|
|
38 | (1) |
|
|
|
38 | (1) |
|
Adding Architectural Details: Customizing Dances |
|
|
39 | (8) |
|
|
|
40 | (1) |
|
Gestures: Telling the Story Through Movement |
|
|
41 | (1) |
|
Stylizing: Creating a Place and Time |
|
|
41 | (2) |
|
Expressive Qualities: Creating Moods Through Movement |
|
|
43 | (2) |
|
|
|
45 | (2) |
|
Putting it All Together: The Choreographic Process |
|
|
47 | (18) |
|
Step 1: Choose Subject Matter |
|
|
48 | (1) |
|
Step 2: Explore and Select Movements |
|
|
48 | (1) |
|
Step 3: Coordinate Music and Movements |
|
|
48 | (3) |
|
Step 4: Explore Possibilities |
|
|
51 | (3) |
|
Step 5: Refine and Memorize Choreography |
|
|
54 | (1) |
|
Step 6: Add Finishing Touches |
|
|
55 | (1) |
|
Step 7: Perform the Choreography |
|
|
55 | (1) |
|
|
|
56 | (9) |
|
Inspecting Your Creation: Observation to Assessment |
|
|
65 | (14) |
|
Student Assessment: Standards, Criteria, and Rubrics |
|
|
66 | (1) |
|
Outcomes for Dance: Six Areas of Assessment |
|
|
67 | (2) |
|
|
|
69 | (10) |
|
Building Dances From Blueprints: Implementing the Choreographic Process |
|
|
79 | (68) |
|
|
|
81 | (7) |
|
|
|
88 | (4) |
|
Words, Sentences, and Paragraphs |
|
|
92 | (5) |
|
|
|
97 | (5) |
|
|
|
102 | (4) |
|
|
|
106 | (4) |
|
|
|
110 | (4) |
|
|
|
114 | (4) |
|
|
|
118 | (4) |
|
|
|
122 | (4) |
|
|
|
126 | (4) |
|
|
|
130 | (4) |
|
|
|
134 | (4) |
|
|
|
138 | (4) |
|
|
|
142 | (3) |
|
|
|
145 | (2) |
| Appendix: National Standards |
|
147 | (2) |
| Glossary |
|
149 | (12) |
| About the Authors |
|
161 | |