What is art; why should we value it; and what allows us to say that one work is better than another? Traditional answers have emphasized aesthetic form. But this has been challenged by institutional definitions of art and postmodern critique. The idea of distinctively artistic value based on aesthetic criteria is at best doubted, and at worst, rejected. This book, however, champions the traditional notions. It restores the mimetic definition of art on the basis of factors which traditional answers neglect, namely the conceptual link between art's aesthetic value and 'non-exhibited' epistemological and historical relations. These factors converge on an expanded notion of the artistic image (a notion which can even encompass music, abstract art, and some conceptual idioms). The image's style serves to interpret its subject-matter. If this style is original (in comparative historical terms) it can manifest that special kind of aesthetic unity which we call art. Appreciation of this involves a heightened interaction of capacities (such as imagination and understanding) which are basic to knowledge and personal identity. By negotiating these factors, it is possible to define art and its canonic dimensions objectively, and to show that aforementioned sceptical alternatives are incomplete and self-contradictory.

Paul Crowther is Professor of Philosophy and the Visual Arts at Jacobs University Bremen in Germany.

Introduction: Normative Aesthetics and Artistic Value
Part One: Culture and Artistic Value
1. Cultural Exclusion and the Definition of Art
2. Defining Art, Defending the Canon, Contesting Culture
Part Two: The Aesthetic and the Artistic
3. From Beauty to Art; Developing Kant's Aesthetics
4. The Scope and Value of the Artistic Image
Part Three: Distinctive Modes of Imaging
5. Twofoldness: Pictorial Art and the Imagination
6. Between Language and Perception: Literary Metaphor
7. Musical Meaning and Value
8. Eternalizing the Moment: Artistic Projections of Time
Conclusion - The Status and Future of Art