| Acknowledgments |
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xi | |
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1 | (12) |
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What Kind of Equipment Do I Need? |
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4 | (1) |
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4 | (2) |
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6 | (4) |
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10 | (1) |
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10 | (3) |
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13 | (20) |
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14 | (1) |
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14 | (8) |
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22 | (4) |
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26 | (2) |
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28 | (4) |
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32 | (1) |
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33 | (16) |
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34 | (14) |
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48 | (1) |
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Choosing a Videotape Format |
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49 | (26) |
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51 | (1) |
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52 | (8) |
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60 | (8) |
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68 | (5) |
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So Which One Do I Choose? |
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73 | (1) |
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Or, Maybe It Doesn't Matter |
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73 | (2) |
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75 | (24) |
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76 | (1) |
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76 | (2) |
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Choosing a Video Interface |
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78 | (6) |
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84 | (9) |
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93 | (2) |
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95 | (2) |
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97 | (2) |
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99 | (28) |
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100 | (8) |
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108 | (12) |
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120 | (2) |
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122 | (5) |
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Non-Linear Editing Software |
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127 | (28) |
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You Say On-Line, I Say Off-Line |
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128 | (2) |
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130 | (9) |
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Getting Media into Your Project |
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139 | (6) |
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145 | (3) |
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148 | (2) |
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150 | (4) |
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154 | (1) |
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Lighting and Art Directing |
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155 | (28) |
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156 | (1) |
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157 | (7) |
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164 | (3) |
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167 | (5) |
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172 | (2) |
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174 | (2) |
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Special Lighting Situations |
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176 | (3) |
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179 | (3) |
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182 | (1) |
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183 | (34) |
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184 | (6) |
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The Tool of the Trade--The Camera |
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190 | (18) |
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208 | (6) |
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Special Shooting Situations |
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214 | (1) |
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215 | (2) |
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217 | (28) |
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218 | (1) |
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219 | (15) |
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234 | (9) |
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243 | (1) |
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244 | (1) |
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245 | (18) |
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246 | (4) |
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250 | (6) |
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256 | (1) |
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257 | (3) |
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260 | (1) |
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261 | (2) |
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263 | (28) |
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264 | (1) |
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How to Organize Your Project |
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265 | (1) |
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266 | (1) |
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Tutorial: Setting Your Video Levels |
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267 | (7) |
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Tutorial: Logging and Capturing |
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274 | (3) |
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277 | (2) |
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Capturing On-Line Quality Video |
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279 | (5) |
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284 | (3) |
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Advanced Media Management |
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287 | (2) |
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289 | (2) |
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291 | (20) |
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292 | (1) |
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292 | (15) |
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307 | (2) |
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309 | (2) |
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311 | (26) |
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312 | (2) |
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314 | (3) |
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Dedicated Sound Editing Apps |
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317 | (5) |
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322 | (5) |
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Equalizing Is Your Friend |
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327 | (4) |
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331 | (1) |
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332 | (3) |
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335 | (2) |
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337 | (20) |
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To Compress, Or Not to Compress |
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338 | (5) |
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343 | (2) |
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Tutorial: Correcting White Balance |
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345 | (9) |
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354 | (2) |
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Correcting Color for Film |
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356 | (1) |
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Titling and Simple Compositing |
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357 | (52) |
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Titles and Simple Graphics |
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358 | (6) |
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364 | (3) |
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Tutorial: Creating a Luminance Key |
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367 | (5) |
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Tutorial: Using a Chroma Key |
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372 | (13) |
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Tutorial Creating a Title in Photoshop |
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385 | (6) |
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Tutorial: Variable Transparency |
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391 | (3) |
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394 | (2) |
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Tutorial: Creating a Credit Roll |
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396 | (4) |
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Tutorial: Adding Camera Shake |
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400 | (6) |
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406 | (3) |
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Rotoscoping and More Compositing |
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409 | (54) |
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410 | (4) |
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Tutorial: Rotoscoping a Simple Image |
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414 | (7) |
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Tutorial: Painting an Alpha Channel by Hand |
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421 | (8) |
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Tutorial: Color Correcting Part of an Image |
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429 | (7) |
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Tutorial: Exploding Heads |
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436 | (14) |
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450 | (3) |
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Making Your Video Look Like Film |
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453 | (2) |
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Tutorial: Creating Film Grain |
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455 | (6) |
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461 | (2) |
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463 | (42) |
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464 | (1) |
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465 | (13) |
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478 | (4) |
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482 | (10) |
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492 | (3) |
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495 | (2) |
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Getting Your 35mm Film Release Print |
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497 | (7) |
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504 | (1) |
| Appendix A Calibrating Your NTSC Monitors |
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505 | (4) |
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506 | (3) |
| Appendix B About the CD-ROM |
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509 | (4) |
| Glossary |
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513 | (28) |
| Index |
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541 | |