Summary
Guy Maddin is one of Canada's most celebrated and original filmmakers, the director of such delirious films as Tales from the Gimli Hospital , Careful , Dracula: Pages from a Virgin's Diary and the forthcoming The Saddest Music in the World . Few know, however, that he is just as gift ed a writer, and his resolutely purple prose, as eccentric and enchanting as his film work, is a true delight. From the Atelier Tovar gathers, in one volume, the best of Maddin's writing: his journalism (originally published in the Village Voice , Cinema Scope , Film Comment and points beyond), unpublished short stories and film treatments (including the riotous Child Without Qualities ), and selections, both lurid and illuminating, from the filmmaker's personal journals. Here are Maddin's feverish musings on hockey, the Osmonds, divas of the Italian silent cinema, Bollywood, his own twisted biography, and much, much more. What emerges finally is both a fragrant potpourri and a treasure trove, a singular portrait of this very unique artist.
Table of Contents
| The Great Pretender: |
|
|
An Introduction by Mark Peranson |
|
|
9 | (5) |
| A Note on the Text |
|
14 | (1) |
| Journal One (1987 - 1998) |
|
15 | (100) |
|
|
|
65 | (50) |
|
|
|
66 | (8) |
|
Face Value: On Minority Report |
|
|
74 | (2) |
|
Bully for Bollywood's Musical Melodramas! |
|
|
76 | (4) |
|
|
|
80 | (4) |
|
|
|
84 | (3) |
|
|
|
87 | (4) |
|
Very Lush and Full of Ostriches |
|
|
91 | (5) |
|
|
|
96 | (3) |
|
|
|
99 | (2) |
|
Hold Me, Thrill Me, Kiss Me, Kill Me |
|
|
101 | (2) |
|
How Do You Solve a Problem Like Medea? |
|
|
103 | (2) |
|
Sad Songs Say So Much: The Making of The Saddest Music in the World |
|
|
105 | (5) |
|
Film Comments: DVD reviews |
|
|
110 | (5) |
| Journal Two (1998 - 1999) |
|
115 | (94) |
|
|
|
163 | (46) |
|
The Eye, Like a Strange Balloon, Mounts Towards Infinity |
|
|
164 | (5) |
|
|
|
169 | (3) |
|
|
|
172 | (4) |
|
The Child Without Qualities |
|
|
176 | (33) |
| Journal Three (1999 - 2002) |
|
209 | (21) |
| Bibliography and Notes |
|
230 | (3) |
| Photo Credits |
|
233 | (1) |
| Acknowledgements |
|
234 | (1) |
| About the Author |
|
235 | |