From the Atelier Tovar

by
Format: Paperback
Pub. Date: 2003-09-20
Publisher(s): Coach House Books
List Price: $21.35

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Summary

Guy Maddin is one of Canada's most celebrated and original filmmakers, the director of such delirious films as Tales from the Gimli Hospital , Careful , Dracula: Pages from a Virgin's Diary and the forthcoming The Saddest Music in the World . Few know, however, that he is just as gift ed a writer, and his resolutely purple prose, as eccentric and enchanting as his film work, is a true delight. From the Atelier Tovar gathers, in one volume, the best of Maddin's writing: his journalism (originally published in the Village Voice , Cinema Scope , Film Comment and points beyond), unpublished short stories and film treatments (including the riotous Child Without Qualities ), and selections, both lurid and illuminating, from the filmmaker's personal journals. Here are Maddin's feverish musings on hockey, the Osmonds, divas of the Italian silent cinema, Bollywood, his own twisted biography, and much, much more. What emerges finally is both a fragrant potpourri and a treasure trove, a singular portrait of this very unique artist.

Table of Contents

The Great Pretender:
An Introduction by Mark Peranson
9(5)
A Note on the Text 14(1)
Journal One (1987 - 1998) 15(100)
Journalism
65(50)
Death in Winnipeg
66(8)
Face Value: On Minority Report
74(2)
Bully for Bollywood's Musical Melodramas!
76(4)
Happy Ever After
80(4)
You Give Me Fever
84(3)
The Womb Is Barren
87(4)
Very Lush and Full of Ostriches
91(5)
Guilty Pleasures
96(3)
Sword Play
99(2)
Hold Me, Thrill Me, Kiss Me, Kill Me
101(2)
How Do You Solve a Problem Like Medea?
103(2)
Sad Songs Say So Much: The Making of The Saddest Music in the World
105(5)
Film Comments: DVD reviews
110(5)
Journal Two (1998 - 1999) 115(94)
Film Treatments
163(46)
The Eye, Like a Strange Balloon, Mounts Towards Infinity
164(5)
Maldoror: Tygers
169(3)
Careful
172(4)
The Child Without Qualities
176(33)
Journal Three (1999 - 2002) 209(21)
Bibliography and Notes 230(3)
Photo Credits 233(1)
Acknowledgements 234(1)
About the Author 235

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