Summary
In this outrageously farcical adventure, hero George Giles sets out to conquer the terrible Wescaccomputer system that threatens to destroy his community in this brilliant "fantasy of theology, sociology, and sex" (Time).
Author Biography
John Barth was born on May 27, 1930, in Cambridge, Maryland. As a student at Johns Hopkins University he was fascinated by Oriental tale-cycles and medieval collections, a body of literature that would later influence his own writing. He received his BA from Johns Hopkins in 1951 and his MA in 1952. He has held professorships at Pennsylvania State University, the State University of New York at Buffalo, and Boston University, and taught in the English and creative writing programs at Johns Hopkins. Barth’s first novel, The Floating Opera (1956), was nominated for the National Book Award. The End of the Road (1958) was also critically praised. In 1960, The Sot-Weed Factor—a comic historical novel—established Barth’s reputation. Giles Goat-Boy (1966) was a huge critical and commercial success, after which he revised and republished his first three novels. Lost in the Funhouse, a book of interconnected stories, earned him a second nomination for the National Book Award. His other works are Chimera (1972), a collection of three novellas, which won the National Book Award; Letters (1979), an epistolary novel; Sabbatical: A Romance (1982); and The Friday Book (1984), a collection of essays.
Table of Contents
| Foreword to Doubleday Anchor Edition |
|
v | |
| Publisher's Disclaimer |
|
xi | |
| Cover-Letter to the Editors and Publisher |
|
xix | |
| VOLUME ONE |
|
| First Reel |
|
|
|
|
5 | (5) |
|
|
|
10 | (4) |
|
|
|
14 | (7) |
|
In the hemlock grove with Lady Creamhair |
|
|
21 | (6) |
|
He attacks Max. His espial of a Beist in the buckwheat |
|
|
27 | (9) |
|
His attempt to Be with Lady Creamhair |
|
|
36 | (10) |
|
|
|
46 | (31) |
| Second Reel |
|
|
His prepping and departure |
|
|
77 | (30) |
|
|
|
107 | (6) |
|
|
|
113 | (17) |
|
|
|
130 | (22) |
|
He bites Anastasia in the sidecar |
|
|
152 | (15) |
|
|
|
167 | (17) |
|
His Memorial Service in the Living Room |
|
|
184 | (21) |
| Third Reel |
|
|
|
|
205 | (21) |
|
Peter Greene's life and loss of eye |
|
|
226 | (22) |
|
|
|
248 | (17) |
|
The Tragedy of Taliped Decanus |
|
|
265 | (53) |
|
|
|
318 | (21) |
|
|
|
339 | (14) |
|
|
|
353 | (36) |
| VOLUME TWO |
|
| First Reel |
|
|
|
|
389 | (34) |
|
|
|
423 | (17) |
|
To the Light House and the University Council |
|
|
440 | (22) |
|
|
|
462 | (19) |
|
|
|
481 | (21) |
|
|
|
502 | (11) |
|
To the Old Chancellor's Mansion |
|
|
513 | (16) |
| Second Reel |
|
|
|
|
529 | (23) |
|
His departure from Main Detention |
|
|
552 | (21) |
|
|
|
573 | (15) |
|
He ends the Boundary Dispute |
|
|
588 | (14) |
|
He overcomes His infirmity |
|
|
602 | (15) |
|
He sees through His Ladyship and re-places the Founder's Scroll |
|
|
617 | (18) |
|
He passes the Finals and presents His ID-card, appropriately signed, to the proper authority |
|
|
635 | (10) |
| Third Reel |
|
|
|
|
645 | (1) |
|
|
|
645 | (15) |
|
Through the Catalogue and Circulation Rooms to the Belfry |
|
|
660 | (7) |
|
His final passage through the Belly |
|
|
667 | (7) |
|
|
|
674 | (6) |
|
To the goat-barns and Founder's Hill |
|
|
680 | (8) |
|
|
|
688 | (9) |
| Posttape |
|
697 | (12) |
| Postscript to the Posttape |
|
709 | (1) |
| Footnote to the Postscript to the Posttape |
|
710 | |