The Improv Handbook The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond
by Salinsky, Tom; Frances-White, DeborahRent Textbook
New Textbook
We're Sorry
Sold Out
Used Textbook
We're Sorry
Sold Out
eTextbook
We're Sorry
Not Available
How Marketplace Works:
- This item is offered by an independent seller and not shipped from our warehouse
- Item details like edition and cover design may differ from our description; see seller's comments before ordering.
- Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
- Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
- Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.
Summary
Table of Contents
| Introduction | p. ix |
| "What Is Improvisation?" | |
| What Was Improvisation? | p. 2 |
| Improvisation in Performance | p. 6 |
| History of The Spontaneity Shop | p. 17 |
| Intermission: What Should Improvisation Be? | p. 29 |
| "From Innovation to Art Form" | p. 29 |
| "Two Stories" | p. 33 |
| "How To Improvise" | |
| How to Use This Section | p. 38 |
| Teaching and Learning | p. 39 |
| The Importance of Storytelling | p. 43 |
| Spontaneity | p. 46 |
| Saying Yes | p. 54 |
| What Comes Next | p. 64 |
| Status | p. 88 |
| Go Through an Unusual Door | p. 108 |
| Working Together | p. 124 |
| Being Changed | p. 143 |
| Twitching, Topping, and Paperflicking | p. 168 |
| Playing Characters | p. 175 |
| You Can't Learn Mime from a Book | p. 212 |
| Playing Games | p. 218 |
| Control Freak | p. 246 |
| Finding the Game in the Scene | p. 253 |
| Continue or Thank You | p. 263 |
| Final Thoughts | p. 268 |
| Intermission: The Rules and Why There Aren't Any | p. 288 |
| "How To Improvise in Public" | |
| Feel the Fear and Do It Anyway | p. 300 |
| Starting a Company | p. 302 |
| Nuts and Bolts | p. 307 |
| Intermission: The Paradox of Improvisation | p. 319 |
| "Making Improvisation Pay" | |
| Performing? | p. 326 |
| Teaching Workshops | p. 328 |
| Corporate Entertainment | p. 331 |
| Corporate Training | p. 332 |
| Corporate Events | p. 334 |
| How to Get Corporate Work | p. 336 |
| Intermission: Women in Improv | p. 337 |
| "Talking to Improvisers" | |
| Keith Johnstone-The Innovator | p. 342 |
| Neil Mullarkey-The Comedy Store Player | p. 343 |
| Randy Dixon-The Synthesizer | p. 347 |
| Jonathan Pitts-The Impresario | p. 350 |
| Charna Halpern-The Keeper of the Harold | p. 353 |
| Mick Napier-Power Improviser | p. 360 |
| Dan O'Connor-West Coast Legend | p. 363 |
| Patti Stiles-Our Teacher | p. 367 |
| David Fenton-Theatresports MC Down Under | p. 374 |
| Tobias Menzies-The Actor | p. 378 |
| In Conclusion | p. 381 |
| Games | p. 383 |
| Good Games | p. 383 |
| Dumb But Fun | p. 391 |
| Never Play | p. 395 |
| Warm-Up Games | p. 397 |
| Syllabus | p. 403 |
| Glossary of Terms | p. 405 |
| Thanks | p. 411 |
| Bibliography | p. 413 |
| Index | p. 415 |
| Table of Contents provided by Ingram. All Rights Reserved. |
An electronic version of this book is available through VitalSource.
This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.
By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.
Digital License
You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.
More details can be found here.
A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.
Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.
Please view the compatibility matrix prior to purchase.
