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| Foreword |
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13 | (6) |
| Preface |
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19 | (2) |
| Acknowledgements |
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21 | (2) |
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23 | (16) |
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23 | (4) |
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Teaching improvisation skills |
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27 | (3) |
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Learning piano improvisation skills |
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30 | (4) |
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Improvisation in music therapy: A process |
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34 | (1) |
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Musical elements -- the language of musical expression |
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35 | (1) |
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Defining musical improvisation and clinical improvisation |
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36 | (3) |
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Basic Concepts in Improvisation |
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39 | (6) |
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Musical techniques and therapeutic methods |
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39 | (1) |
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Creative simplicity as a starting point |
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40 | (1) |
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41 | (1) |
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Clinical application -- the therapy process |
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42 | (1) |
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43 | (2) |
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45 | (36) |
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Basic piano improvisation techniques |
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45 | (6) |
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Pulsed and non-pulsed playing |
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51 | (7) |
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58 | (3) |
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Melodic improvisation -- melodic dialogues |
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61 | (4) |
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Chord and melody improvisation |
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65 | (1) |
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66 | (4) |
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Atonal melodic dialogue improvisation |
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70 | (1) |
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Playing in 6ths and 3rds, tonic triads, 1st and 2nd inversions |
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70 | (4) |
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Playing in and out of metre |
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74 | (4) |
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78 | (2) |
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80 | (1) |
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Basic Therapeutic Methods and Skills |
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81 | (32) |
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Mirroring, imitating and copying |
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82 | (1) |
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83 | (6) |
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Empathic improvisation and reflecting |
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89 | (2) |
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Grounding, holding and containing |
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91 | (6) |
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97 | (9) |
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106 | (3) |
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109 | (4) |
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Advanced Therapeutic Methods: Extemporizing and Frameworking |
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113 | (26) |
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113 | (1) |
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113 | (4) |
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117 | (4) |
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121 | (4) |
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Spanish and Latin American frameworks |
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125 | (5) |
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130 | (3) |
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133 | (6) |
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Transitions: In Improvisation and Therapy |
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139 | (22) |
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Definition of transitions |
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140 | (2) |
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142 | (2) |
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144 | (10) |
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154 | (3) |
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Alternative frameworks for transition techniques |
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157 | (3) |
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160 | (1) |
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161 | (20) |
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161 | (1) |
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The concept of `theme' or `leitmotif' |
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161 | (4) |
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Rhythmic thematic improvisation |
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165 | (2) |
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Melodic thematic improvisation |
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167 | (4) |
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Thematic improvisation incorporating musical techniques and therapeutic methods |
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171 | (7) |
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178 | (3) |
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181 | (28) |
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183 | (11) |
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Play rules, themes, media and structure -- the foundations of improvisation |
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194 | (7) |
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Concrete, abstract and emotional themes |
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201 | (2) |
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Thematic improvisation, musical form, transference and counter-transference |
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203 | (6) |
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Two Different Methods for Analyzing and Reporting Improvised Music |
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209 | (20) |
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209 | (1) |
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Analysis of music for a musical purpose |
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210 | (6) |
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Analysis of music for a therapeutic purpose |
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216 | (9) |
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Statistical analysis issues using the Improvisation Assessment Profiles |
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225 | (2) |
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227 | (2) |
| Bibliography |
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229 | (4) |
| Subject Index |
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233 | (4) |
| Author Index |
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237 | |