Improvisation

by
Edition: CD
Format: Paperback
Pub. Date: 2004-06-01
Publisher(s): Jessica Kingsley Pub
List Price: $35.26

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Summary

Improvisation plays a key role in the toolbox of the music therapist. Tony Wigram's practical and comprehensive guide and CD will prove indispensable to students, teachers, therapists and musicians as a book of musical techniques and therapeutic methods. Beginning with an overview of developing, teaching and analysing the skills of improvisation, Wigram describes techniques ranging from warming up to mirroring, rhythmic grounding, containing and holding. With specific sections on piano improvisation, chordal and 2-, 3- and 4- note improvisation are covered, in addition to advanced skills such as frameworking and transitions. Wigram also includes techniques for thematic improvisation, group improvisation and outlines methods for analysing and reporting improvisational processes. Notated examples allow readers to try out techniques and progress as they read, with audio examples on the accompanying CD adding another dimension to the structure and guidance provided for all

Author Biography

Tony Wigram holds the Chair and is Head of Ph.D studies in Music Therapy at the Institute for Music and Music Therapy at the University of Aalborg, Denmark.

Table of Contents

List of Tables
List of Figures
List of CD Examples
Foreword 13(6)
Preface 19(2)
Acknowledgements 21(2)
Introduction
23(16)
Origins
23(4)
Teaching improvisation skills
27(3)
Learning piano improvisation skills
30(4)
Improvisation in music therapy: A process
34(1)
Musical elements -- the language of musical expression
35(1)
Defining musical improvisation and clinical improvisation
36(3)
Basic Concepts in Improvisation
39(6)
Musical techniques and therapeutic methods
39(1)
Creative simplicity as a starting point
40(1)
Play rules and `givens'
41(1)
Clinical application -- the therapy process
42(1)
Summary
43(2)
Musical Techniques
45(36)
Basic piano improvisation techniques
45(6)
Pulsed and non-pulsed playing
51(7)
Chordal improvisation
58(3)
Melodic improvisation -- melodic dialogues
61(4)
Chord and melody improvisation
65(1)
Dissonant improvisation
66(4)
Atonal melodic dialogue improvisation
70(1)
Playing in 6ths and 3rds, tonic triads, 1st and 2nd inversions
70(4)
Playing in and out of metre
74(4)
Accompanying techniques
78(2)
Summary and conclusion
80(1)
Basic Therapeutic Methods and Skills
81(32)
Mirroring, imitating and copying
82(1)
Matching
83(6)
Empathic improvisation and reflecting
89(2)
Grounding, holding and containing
91(6)
Dialoguing
97(9)
Accompanying
106(3)
Summary and integration
109(4)
Advanced Therapeutic Methods: Extemporizing and Frameworking
113(26)
Introduction
113(1)
Extemporizing
113(4)
Frameworking
117(4)
Jazz frameworks
121(4)
Spanish and Latin American frameworks
125(5)
Modal frameworks
130(3)
Summary
133(6)
Transitions: In Improvisation and Therapy
139(22)
Definition of transitions
140(2)
`Seductive' transitions
142(2)
Limbo transitions
144(10)
Overlap transitions
154(3)
Alternative frameworks for transition techniques
157(3)
Summary
160(1)
Thematic Improvisation
161(20)
Introduction
161(1)
The concept of `theme' or `leitmotif'
161(4)
Rhythmic thematic improvisation
165(2)
Melodic thematic improvisation
167(4)
Thematic improvisation incorporating musical techniques and therapeutic methods
171(7)
Conclusion
178(3)
Group Improvisation
181(28)
Warm-up techniques
183(11)
Play rules, themes, media and structure -- the foundations of improvisation
194(7)
Concrete, abstract and emotional themes
201(2)
Thematic improvisation, musical form, transference and counter-transference
203(6)
Two Different Methods for Analyzing and Reporting Improvised Music
209(20)
Introduction
209(1)
Analysis of music for a musical purpose
210(6)
Analysis of music for a therapeutic purpose
216(9)
Statistical analysis issues using the Improvisation Assessment Profiles
225(2)
General conclusion
227(2)
Bibliography 229(4)
Subject Index 233(4)
Author Index 237

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