Leonardo Da Vinci : The Divine and the Grotesque
by Clayton, Martin; Leonardo, da VinciRent Book
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Summary
In his introductory essay, Martin Clayton explores Leonardo's life-long urge to create such drawings. Individual entries then look at each of the selected works, placing them in the context of contemporary attitudes to beauty, notions of perfect proportion, popular images of the comically ugly, and accepted modes of artistic creation and social behaviour. Among the drawings are studies for Leonardo's masterpieces such as the Last Supper and Leda and the swan, imaginary heads drawn to capture the perfect profile, satirical grotesques, dissections of the head, portraits of Leonardo's associates, designs for masks and festival costumes and much else.
Leonardo's studies of heads are some of the most fascinating and idiosyncratic works ever produced by this archetypal genius. This is the first book to explore the subject fully. With 149 illustrations, 92 in colour.
Author Biography
Table of Contents
| An Outline of Leonardo's Life | p. 7 |
| A Note on Leonardo's Drawings and Manuscripts | p. 9 |
| Introduction | p. 11 |
| The Profile Sheet (Cat. 1) | p. 16 |
| The Divine Body (Cats. 2-14) | p. 21 |
| Ideal Types (Cats. 15-25) | p. 51 |
| The Grotesque (Cats. 26-41) | p. 73 |
| Portraits (Cats. 42-6) | p. 101 |
| Expression (Cats. 47-50) | p. 115 |
| The Last Supper (Cats. 51-5) | p. 127 |
| Women (Cats. 56-61) | p. 143 |
| Fantasy and Costume (Cats. 62-75) | p. 157 |
| Bibliography | p. 183 |
| Concordance | p. 189 |
| Index | p. 190 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
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