Music in Western Civilization, Media Update (with Resource Center Printed Access Card)
by Wright, Craig; Simms, Bryan R.Buy Used
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Summary
Table of Contents
| Antiquity and the Middle Ages | |
| Music in Ancient Greece | |
| Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World | |
| Chant in the Monastery and Convent | |
| Music Theory in the Monastery: John of St. Gall and Guido of Arezzo | |
| Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen | |
| Troubadours and TrouvFres | |
| Early Polyphony | |
| Music in Medieval Paris: Polyphony at Notre Dame | |
| Inside the Cathedral Close and University: Conductus and Motet | |
| In the Parisian Master's Study: Music Theory of the Ars Antiqua and Ars Nova | |
| Music at the Court of the French Kings: The Ars Nova | |
| Fourteenth-Century Music in Reims: Guillaume de Machaut | |
| Avignon, Symbolic Scores, and the Ars Subtilior | |
| Musical Interlude 1: From Medieval Manuscript to Modern Performance | |
| The Late Middle Ages and Early Renaissance | |
| Music in Florence, 1350-1425 | |
| Music at the Cathedral of Florence | |
| Music in England | |
| Music at the Court of Burgundy | |
| Music at the French Royal Court | |
| Music in the Low Countries | |
| The Late Renaissance | |
| Musical Interlude 2: Music in the Late Renaissance | |
| Popular Music in Florence, 1470-1540: Carnival Song and Lauda, Frottola, and Early Madrigal | |
| Josquin Desprez and Music in Ferrara | |
| Musical Interlude 3: Music Printing During the Renaissance | |
| Music in Renaissance Paris | |
| Renaissance Instruments and Instrumental Music | |
| Musical Interlude 4: Music Theory in the Renaissance | |
| Music in Three German Cities: The Protestant-Catholic Confrontation | |
| Rome and the Music of the Counter-Reformation | |
| Music in Elizabethan England | |
| Early Vocal Music | |
| Music in Elizabethan England | |
| Later Vocal Music and Instrumental Music | |
| The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi | |
| Baroque Music | |
| Early Baroque Music | |
| The Birth of Opera: Florence, Mantua, and Venice | |
| The Concerted Style in Venice and Dresden | |
| Religious Music in Baroque Rome | |
| Musical Interlude 5: A Baroque Christmas in the Andes of South America | |
| Instrumental Music in Italy | |
| Instrumental Music in Germany and Austria | |
| Music in Paris and at the Court of Versailles: Vocal Music | |
| Music in Paris and at the Court of Versailles: Instrumental Music | |
| Musical Interlude 6: From Ancient to Modern: Aspects of Baroque Music Theory | |
| Music in London | |
| Henry Purcell | |
| Music in London | |
| George Frideric Handel | |
| Johann Sebastian Bach: Instrumental Music in Weimar and C÷then | |
| Johann Sebastian Bach: Vocal Music in Leipzig | |
| The Enlightenment and the Classical Era | |
| Music in the Age of Enlightenment: Opera | |
| Music in the Age of Enlightenment: Orchestral Music | |
| Music in the Age of Enlightenment: Keyboard Music | |
| Classical Music in Vienna | |
| Joseph Haydn: Instrumental Music | |
| Joseph Haydn: Late Symphonies and Vocal Music | |
| Wolfgang Amadeus Mozart: Instrumental Music | |
| Wolfgang Amadeus Mozart: Vocal Music | |
| The Early Music of Beethoven | |
| Beethoven's Middle Period: 1802-1814 | |
| After the Congress of Vienna: Beethoven's Late Music | |
| Romanticism | |
| Musical Interlude 7: Romanticism | |
| Franz Schubert | |
| Music in Paris Under Louis Philippe: Berlioz and Chopin | |
| Leipzig and the Gewandhaus: Mendelssohn and the Schumanns | |
| German Opera in the Nineteenth Century: Weber and Wagner | |
| Opera in Italy: Rossini and Verdi | |
| Nationalism and Virtuosity: Franz Liszt | |
| Vienna in the Late Nineteenth Century: Brahms and Bruckner | |
| Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky | |
| Vienna at the turn of the Twentieth Century: Gustav and Alma Mahler | |
| England at the End of the Romantic Period: Elgar and Vaughan Williams | |
| Opera in Milan After Verdi: Puccini, Toscanini, and Verismo | |
| Paris of the Belle Epoque: Debussy, FaurT, and Lili Boulanger | |
| The Early Twentieth Century | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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