| PREFACE TO THE SIXTH EDITION |
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xv | (6) |
| ACKNOWLEDGMENTS |
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xxi | |
| Masterpieces of the Enlightenment |
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1 | (442) |
| INTRODUCTION |
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1 | (7) |
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JEAN-BAPTISTE POQUELIN MOLIERE (1622-1673) |
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8 | (59) |
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10 | (57) |
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MARIE DE LA VERGNE DE LA FAYETTE (1634-1693) |
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67 | (100) |
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70 | (97) |
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167 | (43) |
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170 | (40) |
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SOR JUANA INÉS DE LA CRUZ (1648-1695) |
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210 | (29) |
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Reply to Sor Filotea de la Cruz |
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211 | (28) |
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JONATHAN SWIFT (1677-1745) |
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239 | (64) |
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243 | (53) |
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Part IV. A Voyage to the Country of the Houyhnhnms |
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246 | (50) |
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296 | (7) |
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ALEXANDER POPE (1688-1744) |
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303 | (31) |
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306 | (20) |
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326 | (8) |
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326 | (8) |
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FRANÇOIS-MARIE AROUET DE VOLTAIRE (1694-1778) |
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334 | (68) |
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336 | (66) |
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SAMUEL JOHNSON (1709-1784) |
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402 | (41) |
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From The History of Rasselas, Prince of Abissinia |
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405 | (38) |
| Masterpieces of the Nineteenth Century: Varieties of Romanticism |
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443 | (432) |
| INTRODUCTION |
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443 | (7) |
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JEAN-JACQUES ROUSSEAU (1712-1778) |
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450 | (11) |
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452 | (9) |
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JOHANN WOLFGANG VON GOETHE (1749-1832) |
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461 | (8) |
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464 | (5) |
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464 | (3) |
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The First Part of the Tragedy |
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467 | (2) |
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WILLIAM BLAKE (1757-1827) |
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569 | (10) |
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572 | (3) |
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572 | (1) |
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572 | (1) |
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573 | (1) |
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574 | (1) |
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574 | (1) |
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575 | (3) |
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575 | (1) |
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575 | (1) |
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576 | (1) |
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577 | (1) |
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577 | (1) |
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577 | (1) |
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Mock on, Mock on, Voltaire, Rousseau |
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578 | (1) |
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578 | (1) |
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FRANÇOIS RENÉ, VICOMTE DE CHATEAUBRIAND (1768-1848) |
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579 | (20) |
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580 | (19) |
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WILLIAM WORDSWORTH (1770-1827) |
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599 | (13) |
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Lines Composed a Few Miles Above Tintern Abbey |
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602 | (4) |
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Ode on Intimations of Immortality |
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606 | (5) |
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Composed upon Westminster Bridge, September 3, 1802 |
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611 | (1) |
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The World Is Too Much With Us |
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611 | (1) |
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SAMUEL TAYLOR COLERIDGE (1772-1834) |
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612 | (8) |
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614 | (2) |
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616 | (4) |
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PERCY BYSSHE SHELLEY (1792-1822) |
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620 | (7) |
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Stanza Written in Dejection--December 1818, Near Naples |
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621 | (1) |
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622 | (1) |
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623 | (2) |
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A Defence of Poetry (Conclusion) |
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625 | (2) |
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627 | (10) |
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On First Looking into Chapman's Homer |
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628 | (1) |
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629 | (1) |
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629 | (2) |
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631 | (1) |
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632 | (3) |
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635 | (1) |
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636 | (1) |
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HEINRICH HEINE (1797-1856) |
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637 | (8) |
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The Rose, the Lily, the Sun and the Dove |
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638 | (1) |
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A Spruce Is Standing Lonely |
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638 | (1) |
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A Young Man Loves a Maiden |
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638 | (1) |
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639 | (1) |
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My Beauty, My Love, You Have Bound Me |
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639 | (1) |
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640 | (1) |
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640 | (1) |
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641 | (1) |
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How Slowly Time, the Loathsome Snail |
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642 | (1) |
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642 | (2) |
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644 | (1) |
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644 | (1) |
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GIACOMO LEOPARDI (1798-1837) |
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645 | (9) |
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646 | (8) |
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ALEXANDER SERGEYEVICH PUSHKIN (1799-1837) |
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654 | (21) |
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656 | (19) |
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675 | (11) |
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677 | (1) |
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677 | (1) |
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Memory of the Night of the Fourth |
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678 | (1) |
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679 | (7) |
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686 | (1) |
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ALFRED, LORD TENNYSON (1809-1892) |
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686 | (24) |
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688 | (2) |
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690 | (2) |
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From In Memoriam A. H. H. |
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692 | (18) |
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ROBERT BROWNING (1812-1889) |
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710 | (14) |
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712 | (2) |
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The Bishop Orders His Tomb at Saint Praxed's Church |
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714 | (3) |
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"Childe Roland to the Dark Tower Came" |
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717 | (7) |
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FREDERICK DOUGLASS (1818?-1895) |
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724 | (65) |
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Narrative of the Life of Frederick Douglass, An American Slave |
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727 | (62) |
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789 | (13) |
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792 | (5) |
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Out of the Cradle Endlessly Rocking |
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797 | (5) |
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HERMAN MELVILLE (1819-1891) |
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802 | (63) |
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805 | (60) |
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EMILY DICKINSON (1830-1886) |
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865 | (10) |
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216: "Safe in their Alabaster Chambers--" |
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867 | (1) |
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258: "There's a certain Slant of light--" |
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867 | (1) |
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303: "The Soul selects her own Society--" |
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867 | (1) |
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328: "A Bird came down the Walk--" |
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868 | (1) |
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341: "After great pain, a formal feeling comes--" |
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868 | (1) |
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435: "Much Madness is divinest Sense--" |
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869 | (1) |
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449: "I died for Beauty--but was scarce" |
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869 | (1) |
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465: "I heard a Fly buzz--when I died--" |
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869 | (1) |
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519: " 'Twas warm--at first--like Us--" |
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870 | (1) |
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585: "I like to see it lap the Miles--" |
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870 | (1) |
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632: "The Brain--is wider than the Sky--" |
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871 | (1) |
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657: "I dwell in Possibility--" |
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871 | (1) |
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712: "Because I could not stop for Death--" |
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871 | (1) |
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754: "My Life had stood--a Loaded Gun--" |
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872 | (1) |
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1084: "At Half past Three, a single Bird" |
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873 | (1) |
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1129: "Tell all the Truth but tell it slant--" |
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873 | (1) |
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1207: "He preached upon `Breadth' till it argued him narrow--" |
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873 | (1) |
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1564: "Pass to thy Rendezvous of Light" |
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874 | (1) |
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1593: "There came a Wind like a Bugle--" |
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874 | (1) |
| Masterpieces of the Nineteenth Century: Realism, Naturalism, and the New Poetry |
|
875 | (500) |
| INTRODUCTION |
|
875 | (9) |
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GUSTAVE FLAUBERT (1821-1880) |
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884 | (236) |
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889 | (231) |
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FYODOR DOSTOEVSKY (1821-1881) |
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1120 | (85) |
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1126 | (79) |
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1205 | (45) |
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1209 | (41) |
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1250 | (63) |
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1254 | (59) |
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ANTON CHEKHOV (1860-1904) |
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1313 | (42) |
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1317 | (38) |
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CHARLES BAUDELAIRE (1821-1867) |
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1355 | (20) |
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1359 | (12) |
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1359 | (2) |
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1361 | (1) |
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1361 | (1) |
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1361 | (1) |
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1362 | (2) |
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1364 | (1) |
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1365 | (1) |
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1365 | (1) |
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1366 | (1) |
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1366 | (1) |
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1367 | (4) |
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1371 | (4) |
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One O'Clock in the Morning |
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1371 | (1) |
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1372 | (1) |
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1372 | (1) |
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Anywhere out of the World |
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1373 | (2) |
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| Masterpieces of the Twentieth Century: Varieties of Modernism |
|
1375 | (536) |
| INTRODUCTION |
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1375 | (9) |
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SIGMUND FREUD (1856-1939) |
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1384 | (65) |
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From "Dora" (Fragment of an Analysis of a Case of Hysteria) |
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1389 | (60) |
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WILLIAM BUTLER YEATS (1865-1939) |
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1449 | (14) |
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1452 | (1) |
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1453 | (2) |
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1455 | (1) |
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1455 | (1) |
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1456 | (1) |
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1457 | (2) |
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1459 | (1) |
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1460 | (2) |
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The Circus Animals' Desertion |
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1462 | (1) |
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LUIGI PIRANDELLO (1867-1936) |
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1463 | (48) |
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Six Characters in Search of an Author |
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1467 | (44) |
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MARCEL PROUST (1871-1922) |
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1511 | (40) |
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Remembrance of Things Past |
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1515 | (36) |
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1515 | (36) |
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1551 | (59) |
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1555 | (55) |
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RAINER MARIA RILKE (1875-1926) |
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1610 | (10) |
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1615 | (1) |
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Archaïscher Torso Apollos |
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1615 | (1) |
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1616 | (4) |
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1616 | (2) |
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1618 | (2) |
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WALLACE STEVENS (1879-1955) |
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1620 | (13) |
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1624 | (3) |
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Peter Quince at the Clavier |
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1627 | (2) |
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1629 | (1) |
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1629 | (1) |
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The Idea of Order at Key West |
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1630 | (1) |
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1631 | (2) |
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1633 | (42) |
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A Portrait of the Artist as a Young Man |
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1637 | (38) |
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1637 | (38) |
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VIRGINIA WOOLF (1882-1941) |
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1675 | (11) |
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1678 | (8) |
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1686 | (39) |
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1689 | (36) |
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D. H. LAWRENCE (1885-1930) |
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1725 | (18) |
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1728 | (15) |
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1743 | (28) |
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The Love Song of J. Alfred Prufrock |
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1747 | (4) |
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1751 | (13) |
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1764 | (7) |
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1764 | (7) |
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ANNA AKHMATOVA (1889-1966) |
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1771 | (10) |
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1775 | (6) |
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KATHERINE ANNE PORTER (1890-1980) |
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1781 | (13) |
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1785 | (9) |
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WILLIAM FAULKNER (1897-1962) |
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1794 | (32) |
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1798 | (14) |
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1812 | (14) |
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BERTOLT BRECHT (1898-1956) |
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1826 | (60) |
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Mother Courage and Her Children |
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1830 | (56) |
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FEDERICO GARCíA LORCA (1898-1936) |
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1886 | (11) |
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Lament for Ignacio Sánchez Mejías |
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1890 | (6) |
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Llanto por Ignacio Sánchez Mejías |
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1896 | (1) |
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1896 | (1) |
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1897 | (14) |
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1900 | (11) |
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| Masterpieces of the Twentieth Century: Contemporary Explorations |
|
1911 | (284) |
| INTRODUCTION |
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1911 | (5) |
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JORGE LUIS BORGES (1899-1986) |
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1916 | (10) |
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The Garden of Forking Paths |
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1919 | (7) |
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SAMUEL BECKETT (1906-1989) |
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1926 | (35) |
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1930 | (31) |
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1961 | (12) |
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1965 | (8) |
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1973 | (11) |
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1977 | (7) |
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MARGUERITE DURAS (b. 1914) |
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1984 | (29) |
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1987 | (26) |
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ALEXANDER SOLZHENITSYN (b. 1918) |
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2013 | (33) |
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2018 | (28) |
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2046 | (13) |
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2050 | (9) |
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ALAIN ROBBE-GRILLET (b. 1922) |
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2059 | (7) |
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2062 | (4) |
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INGEBORG BACHMANN (1926-1973) |
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2066 | (16) |
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2070 | (12) |
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GABRIEL GARCIA MARQUEZ (b. 1928) |
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2082 | (10) |
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Death Constant Beyond Love |
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2086 | (6) |
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2092 | (103) |
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2097 | (98) |
| A NOTE ON TRANSLATION |
|
2195 | (12) |
| INDEX |
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2207 | |