| Introduction ``Variations on a Generation'' |
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xv | |
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PART 1 ``THE BEST MINDS OF A GENERATION'' |
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1 | (9) |
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8 | (2) |
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10 | (33) |
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The Subterraneans (excerpt) |
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43 | (4) |
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The Dharma Bums (excerpt) |
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47 | (6) |
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Mexico City Blues (excerpt) |
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53 | (4) |
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53 | (1) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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``Essentials of Spontaneous Prose'' |
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57 | (1) |
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``Belief & Technique for Modern Prose'' |
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58 | (4) |
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62 | (8) |
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70 | (1) |
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``A Supermarket in California'' |
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71 | (1) |
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72 | (2) |
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74 | (3) |
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77 | (21) |
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98 | (3) |
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101 | (3) |
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104 | (12) |
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The Yage Letters (excerpt) |
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116 | (10) |
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126 | (10) |
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``Deposition: Testimony Concerning a Sickness'' |
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136 | (10) |
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146 | (2) |
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148 | (6) |
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154 | (14) |
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Mishaps, Perhaps (excerpt) |
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168 | (4) |
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172 | (1) |
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172 | (1) |
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173 | (1) |
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174 | (5) |
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179 | (3) |
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``Variations on a Generation'' (excerpt) |
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182 | (5) |
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187 | (3) |
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187 | (3) |
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Letters to Jack Kerouac, 1947--1950 |
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190 | (18) |
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Letter to Neal Cassady, early 1951 |
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208 | (4) |
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The First Third (excerpt) |
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212 | (8) |
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Visions of Cody (excerpt) |
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220 | (7) |
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PART 3 ``CONSTANTLY RISKING ABSURDITY'' |
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Some San Francisco Renaissance Poets |
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227 | (6) |
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227 | (6) |
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233 | (8) |
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``Poems from the Japanese'' |
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241 | (1) |
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``Rexroth: Shaker and Maker'' by William Everson |
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242 | (4) |
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246 | (2) |
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``Constantly Risking Absurdity'' |
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248 | (1) |
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``In Goya's greatest scenes . . .'' |
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249 | (1) |
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``One Thousand Fearful Words for Fidel Castro'' |
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250 | (4) |
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254 | (11) |
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265 | (8) |
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Scratching the Beat Surface (excerpt) |
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273 | (16) |
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Includes Snyder's poem, ``A Berry Feast, ''Whalen's poem, ``Plus Ca Change...'' |
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McClure's poems, ``Point Lobos: Animism'' and ``For the Death of 100 Whales'' |
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``Mid-August at Sourdough Mountain Lookout'' |
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289 | (1) |
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289 | (1) |
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290 | (1) |
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``Praise for Sick Women'' |
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291 | (2) |
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``Night Highway Ninety-nine'' |
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293 | (11) |
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304 | (1) |
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305 | (1) |
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``Note on the Religious Tendencies'' |
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305 | (3) |
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``Sourdough Mountain Lookout'' |
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308 | (5) |
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``A Dim View of Berkeley in the Spring'' |
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313 | (2) |
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``Prose Take-Out, Portland 13:ix:58'' |
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315 | (3) |
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318 | (1) |
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``The night is a space of white marble'' |
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318 | (1) |
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``I have given fair warning'' |
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319 | (1) |
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``There is this distance between me and what I see'' |
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319 | (1) |
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320 | (2) |
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322 | (2) |
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324 | (1) |
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``Taxi Suite---After Anacreon'' |
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324 | (1) |
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``Not Yet 40, My Beard Is Already White'' |
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325 | (1) |
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``The Image, as in a Hexagram'' |
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325 | (1) |
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326 | (2) |
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328 | (1) |
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328 | (1) |
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329 | (1) |
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329 | (2) |
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PART 4 ``A FEW BLUE WORDS TO THE WISE'' |
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331 | (9) |
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Amiri Baraka (LeRoi Jones) |
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340 | (1) |
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341 | (1) |
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342 | (7) |
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Letter About Kerouac's Prose |
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349 | (6) |
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``Funny Lotus Blues . . .'' |
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355 | (5) |
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360 | (1) |
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``Song for Baby-O, Unborn'' |
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360 | (1) |
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``The Practice of Magical Evocation'' |
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361 | (1) |
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362 | (1) |
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``Brass Furnace Going Out'' |
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363 | (8) |
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371 | (1) |
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``The Times They Are A-Changin' '' |
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371 | (2) |
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``A Hard Rain's A-Gonna Fall'' |
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373 | (2) |
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375 | (6) |
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Brenda Frazer (Bonnie Bremser) |
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381 | (4) |
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``Greenwich Village of My Dreams'' |
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385 | (2) |
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1001 Ways to Beat the Draft (excerpt) |
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387 | (9) |
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396 | (4) |
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400 | (1) |
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``Post the Lake Poets Ballad'' |
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400 | (1) |
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401 | (1) |
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402 | (3) |
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405 | (5) |
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``Poem from Jail'' (excerpt) |
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410 | (8) |
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418 | (4) |
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422 | (4) |
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``A poem for record players'' |
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426 | (1) |
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427 | (1) |
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``A poem for museum goers'' |
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427 | (3) |
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``A poem for the insane'' |
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430 | (1) |
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431 | (1) |
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``Children of the Working Class'' |
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432 | (3) |
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PART 5 ``TALES OF BEATNIK GLORY'' |
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Memoirs and Posthumous Tributes |
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435 | (3) |
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Notes of a Dirty Old Man (excerpt) |
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438 | (4) |
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442 | (7) |
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449 | (10) |
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Dinners and Nightmares (excerpt) |
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459 | (7) |
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Brenda Frazer (Bonnie Bremser) |
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Troia: Mexican Memoirs (excerpt) |
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466 | (7) |
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``The Beat Hotel, Paris'' (excerpt) |
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473 | (4) |
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Minor Characters (excerpt) |
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477 | (5) |
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How I Became Hettie Jones (excerpt) |
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482 | (7) |
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489 | (6) |
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``The Day After Superman Died'' (excerpt) |
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495 | (11) |
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506 | (5) |
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Tales of Beatnik Glory (excerpt) |
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511 | (6) |
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PART 6 ``THE UNSPEAKABLE VISIONS OF THE INDIVIDUAL'' |
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517 | (3) |
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520 | (4) |
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``Columbia U Poesy Reading---1975'' |
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524 | (4) |
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``The Whole Mess . . . Almost'' |
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528 | (1) |
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``April Fool Birthday Poem for Grandpa'' |
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529 | (2) |
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Loba: Parts I-VIII (excerpt) |
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531 | (3) |
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``The Canticle of Jack Kerouac'' |
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534 | (6) |
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540 | (1) |
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``Short Story on a Painting of Gustav Klimt'' |
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541 | (2) |
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``First Party at Ken Kesey's'' |
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543 | (1) |
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544 | (4) |
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``Anti-Vietnam War Peace Mobilization'' |
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548 | (1) |
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548 | (3) |
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551 | (1) |
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552 | (3) |
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``Fourth Floor, Dawn, Up All Night Writing Letters'' |
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555 | (1) |
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``Song (I Work with the Shape)'' |
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556 | (1) |
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556 | (1) |
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``Watching the Stolen Rose'' |
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557 | (1) |
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``The Death of Kin Chuen Louie'' |
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557 | (3) |
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560 | (6) |
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``What Would Tom Paine Do?'' (Song) |
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566 | (3) |
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``Smokey the Bear Sutra'' |
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569 | (3) |
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``I Went into the Maverick Bar'' |
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572 | (1) |
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``Mother Earth: Her Whales'' |
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573 | (2) |
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575 | (3) |
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578 | (1) |
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579 | (3) |
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APPENDIX---THREE COMMENTATORS |
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582 | (25) |
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``Beat Zen, Square Zen, and Zen'' |
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607 | (8) |
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``The Game of the Name'' (excerpt) |
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615 | (8) |
| Books for Further Reading |
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623 | (10) |
| Index of Authors and Titles |
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633 | (6) |
| Acknowledgments |
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639 | |