| Introduction |
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ix | (22) |
| Acknowledgments |
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xxxi | |
| I Breaking the Frame |
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1 | (124) |
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4 | (11) |
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FROM The Crying of Lot 49 |
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4 | (11) |
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WILLIAM S. BURROUGHS (b. 1914) |
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15 | (10) |
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15 | (10) |
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15 | (10) |
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DONALD BARTHELME (1931-1989) |
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25 | (12) |
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26 | (7) |
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33 | (4) |
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RICHARD BRAUTIGAN (1935-1984) |
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37 | (5) |
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38 | (4) |
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The Cover for Trout Fishing in America |
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39 | (1) |
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40 | (2) |
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42 | (13) |
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Sassafrass, Cypress & Indigo |
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43 | (12) |
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43 | (12) |
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55 | (10) |
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Yellow Back Radio Broke-Down |
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55 | (10) |
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55 | (10) |
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65 | (19) |
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In the Heart of the Heart of the Country |
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66 | (18) |
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84 | (10) |
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85 | (9) |
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85 | (3) |
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88 | (6) |
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94 | (5) |
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94 | (5) |
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99 | (12) |
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99 | (12) |
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111 | (4) |
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FROM The American Woman in the Chinese Hat |
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111 | (4) |
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JAYNE ANNE PHILLIPS (b. 1952) |
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115 | (5) |
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116 | (4) |
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120 | (5) |
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Living with Contradictions |
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121 | (4) |
| II Fact Meets Fiction |
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125 | (68) |
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TRUMAN CAPOTE (1924-1984) |
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127 | (14) |
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127 | (14) |
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141 | (5) |
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141 | (5) |
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FROM Part II: Friday Afternoon |
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141 | (5) |
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146 | (6) |
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Zami: A New Spelling of My Name |
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146 | (6) |
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146 | (6) |
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WILLIAM T. VOLLMANN (b. 1959) |
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152 | (9) |
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153 | (8) |
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153 | (7) |
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A Note on the Truth of the Tales |
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160 | (1) |
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THERESA HAK KYUNG CHA (1951-1982) |
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161 | (13) |
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161 | (13) |
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161 | (13) |
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174 | (9) |
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How to Tell a True War Story |
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174 | (9) |
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GLORIA ANZALDUA (b. 1942) |
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183 | (10) |
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Borderlands/La Frontera: The New Mestiza |
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184 | (9) |
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Tlilli, Tlapalli: The Path of the Red and Black Ink |
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184 | (9) |
| III Popular Culture and High Culture Collide |
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193 | (98) |
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196 | (5) |
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197 | (4) |
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197 | (1) |
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198 | (3) |
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211 | (5) |
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212 | (4) |
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212 | (2) |
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214 | (2) |
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LAURIE ANDERSON (b. 1947) |
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216 | (10) |
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Stories from the Nerve Bible |
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216 | (10) |
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216 | (2) |
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15. Black Fire on White Fire |
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218 | (4) |
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222 | (1) |
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48. Stories from the Nerve Bible |
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223 | (2) |
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225 | (1) |
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226 | (15) |
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226 | (15) |
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The Phantom of the Movie Palace |
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226 | (15) |
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241 | (14) |
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Tooth Imprints on a Corn Dog |
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242 | (13) |
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The Making of "Tooth Imprints on a Corn Dog" |
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242 | (13) |
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255 | (8) |
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Memories of My Father Watching T.V. |
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256 | (7) |
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256 | (7) |
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RICARDO CORTEZ CRUZ (b. 1964) |
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263 | (8) |
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264 | (7) |
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264 | (7) |
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BOBBIE ANN MASON (b. 1940) |
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271 | (10) |
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271 | (10) |
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281 | (10) |
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282 | (9) |
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282 | (2) |
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284 | (2) |
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286 | (5) |
| IV Revisiting History |
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291 | (102) |
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294 | (7) |
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295 | (6) |
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301 | (5) |
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301 | (5) |
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306 | (16) |
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307 | (14) |
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307 | (14) |
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LESLIE MARMON SILKO (b. 1948) |
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321 | (10) |
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322 | (9) |
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331 | (7) |
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332 | (6) |
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338 | (3) |
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338 | (3) |
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341 | (4) |
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342 | (3) |
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345 | (17) |
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345 | (17) |
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Chapter 9. Major Major Major Major |
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345 | (17) |
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DAVID FOSTER WALLACE (b. 1962) |
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362 | (31) |
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362 | (31) |
| V Revising Tradition |
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393 | (116) |
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JOYCE CAROL OATES (b. 1938) |
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396 | (13) |
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396 | (13) |
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409 | (6) |
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409 | (1) |
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409 | (6) |
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415 | (28) |
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416 | (27) |
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416 | (27) |
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443 | (6) |
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443 | (6) |
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443 | (6) |
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PAUL KARASIK (b. 1956) AND DAVID MAZZUCCHELLI (b. 1960) |
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449 | (9) |
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FROM Paul Auster's CITY OF GLASS |
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450 | (8) |
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MAXINE HONG KINGSTON (b. 1940) |
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458 | (12) |
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Tripmaster Monkey: His Fake Book |
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458 | (12) |
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458 | (12) |
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SAMUEL R. DELANY (b. 1942) |
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470 | (14) |
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470 | (14) |
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1. Of Dragons, Mountains, Transhumance, Sequence, and Sunken Cities, or: The Violence of the Letter |
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470 | (14) |
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484 | (4) |
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485 | (3) |
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MARILYNNE ROBINSON (b. 1944) |
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488 | (9) |
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489 | (8) |
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489 | (8) |
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HELENA MARIA VIRAMONTES (b. 1954) |
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497 | (12) |
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497 | (12) |
| VI Technoculture [Electronic selections for entries marked are available at the Norton Website: http://www.wwnorton.com] |
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509 | (72) |
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512 | (7) |
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512 | (7) |
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URSULA K. LE GUIN (b. 1929) |
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519 | (7) |
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520 | (5) |
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525 | (1) |
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526 | (11) |
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527 | (11) |
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527 | (2) |
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529 | (4) |
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533 | (4) |
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537 | (11) |
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537 | (11) |
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537 | (11) |
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548 | (6) |
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548 | (6) |
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554 | (7) |
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555 | (6) |
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555 | (6) |
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NEAL STEPHENSON (b. 1959) |
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561 | (7) |
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561 | (7) |
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561 | (7) |
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DOUGLAS COUPLAND (b. 1961) |
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568 | (5) |
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568 | (5) |
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568 | (5) |
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J. YELLOWLEES DOUGLAS (b. 1962) |
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573 | (3) |
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574 | (2) |
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576 | (5) |
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577 | (4) |
| VII A Casebook of Postmodern Theory |
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581 | (73) |
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583 | (2) |
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FROM Sorties: Out and Out: Attacks/Ways Out/Forays |
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583 | (2) |
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585 | (10) |
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Toward a Concept of Postmodernism |
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586 | (9) |
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595 | (8) |
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595 | (8) |
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FROM Just the Fax, Ma'am: Or, Postmodernism's Journey to Decenter |
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595 | (8) |
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603 | (19) |
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FROM A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century |
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603 | (19) |
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622 | (2) |
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Postscript to The Name of the Rose |
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622 | (2) |
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FROM Postmodernism, Irony, the Enjoyable |
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622 | (2) |
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624 | (7) |
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624 | (7) |
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JEAN BAUDRILLARD (b. 1929) |
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631 | (6) |
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631 | (6) |
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FROM The Precession of Simulacra |
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631 | (6) |
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637 | (12) |
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637 | (12) |
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TRINH T. MINH-HA (b. 1952) |
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649 | (5) |
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FROM Woman, Native, Other |
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649 | (5) |
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FREDRIC JAMESON (b. 1934) |
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654 | (11) |
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FROM Postmodernism and Consumer Society |
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654 | (11) |
| Permissions Acknowledgments |
|
665 | (6) |
| Index |
|
671 | |