Shakespeare and Appropriation

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Format: Nonspecific Binding
Pub. Date: 1999-12-16
Publisher(s): Routledge
List Price: $49.16

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Summary

The vitality of our culture is still often measured by the status Shakespeare has within it. Contemporary readers and writers continue to exploit Shakespeare's cultural afterlife in a vivid and creative way. This fascinating collection of original essays shows how writers' efforts to imitate, contradict, compete with, and reproduce Shakespeare keep him in the cultural conversation.The essays:* analyze the methods and motives of Shakespearean appropriation* investigate theoretically the return of the repressed author in discussions of Shakespeare's cultural function* put into dialogue theoretical and literary responses to Shakespeare's cultural authority* analyze works ranging from nineteenth century to the present, and genres ranging from poetry and the novel to Disney movies.

Table of Contents

List of figures
ix
List of contributors
x
General editor's preface xiii
Acknowledgments xv
Introduction 1(14)
Christy Desmet
Part 1: Appropriation in theory
Alas, poor Shakespeare! I knew well
15(18)
Ivo Kamps
Entry on Q
33(14)
Terence Hawkes
Romancing the Bard
47(18)
Laurie E. Osborne
Moor or less? The surveillance of Othello, Calcutta 1848
65(20)
Sudipto Chatterjee
Jyotsna G. Singh
Part 2: Appropriation in practice
Remembering King Lear in Jane Smiley's A Thousand Acres
85(18)
Caroline Cakebread
Signifyin' on The Tempest in Gloria Naylor's Mama Day
103(16)
James R. Andreas, Sr.
Accommodating the virago: Nineteenth-century representations of Lady Macbeth
119(23)
Georgianna Ziegler
The Shakespeareanization of Robert Browning
142(18)
Robert Sawyer
The displaced body of desire: Sexuality in Kenneth Branagh's Hamlet
160(19)
Lisa S. Starks
Disney cites Shakespeare: The limits of appropriation
179(18)
Richard Finkelstein
Afterword: The incredible shrinking Bard
197(9)
Gary Taylor
Further reading 206(5)
Matt Kozusko
References 211(17)
Index 228

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