Set in rural Pennyslvania in the 1760s, this tale of horror and mystery is based on an actual case of a New York farmer who murdered his family. The author employs Gothic devices and sensational features such as spontaneous combustion, ventriloquism, and religious fanaticism. Fiendish Carwin uses his influence over Clara Wieland and her family, destroying the order and authority of the small community in which they live. The novel examines some fundamental issues crucial to the survival of democracy in the new American republic. The unfinished sequel, Memoirs of Carwin the Biloquist, traces Carwin's career as a follower of the utopist Ludloe.

Charles Brockden Brown (1771–1810) was born to a merchant Quaker family in Philadelphia, and was educated at Robert Proud’s school. In his early twenties he committed himself to literature and avidly read the latest models from England and Europe—especially Rousseau, Bage, Godwin, Southey, and Coleridge. By 1795 Brown was earnestly devoted to fiction; once engaged, he composed at a breakneck pace, publishing between 1797 and 1802 seven romances, a long pro-feminist dialogue, and numerous sketches and tales. Four of those romances earned him the perhaps dubious title of "father of the American novel"—Wieland (1798), Ormond (1799), Arthur Mervyn (Part 1, 1799; Part II, 1800), and between those two parts, Edgar Huntly (1799). All four are remarkably sophisticated moral, psychological, and political allegories that burned into the artistic consciousness of Poe, Hawthorne, Fenimore Cooper, and Melville. By the 1820s, a decade after his death, Brown was ranked with Washington Irving and Fenimore Cooper as the embodiment of American literary genius, the first American writer to successfully bridge the gulf between entertainment and art in fiction.

Jay Fliegelman (1949–2007) taught American literature and American Studies at Stanford University. His primary interest was in the nation’s cultural history between 1620 and 1860. He is the author of Prodigals and Pilgrims: The American Revolution against Patriarchical Authority, 1750–1800 and Declaring Independence: Jefferson, Natural Language, and the Culture of Performance.